Stimulating Action With Color

There is growing scientific evidence of how the brain processes color and how color impacts our feelings and how we respond. Over the years, some direct marketers have wondered about color’s contribution to the overall success of direct mail. However, color usually isn’t high on the list of test priorities. But you don’t have to go with your gut, considering what research

There is growing scientific evidence of how the brain processes color and how color impacts our feelings and how we respond. Over the years, some direct marketers have wondered about color’s contribution to the overall success of direct mail. However, color usually isn’t high on the list of test priorities. And unless you have great flexibility to test colors, most direct marketers simply go with the colors they feel will work best. But you don’t have to go with your gut, considering what research is telling us.

Today I’ll share with you recent research from university studies, along with The Theory of Colours by Johann Wolfgang von Goethe, first published in 1810.

Goethe published one of the first color wheels and shared psychological impact. His theories are still widely used:

  • Red conveys gravity and dignity.
  • Yellow connotes brightness and soft excitement, yet noble.
  • Blue is at odds with itself, being both exciting and retreating.
  • Green is reassuring.

So how do these 200-year-old conclusions stack up against recent research that expands into more colors? A 2014 study of logos by the University of Missouri-Columbia suggests additional consideration:

  • Blue logos invoked feelings of confidence, success and reliability.
  • Green logos invoked perceptions of environmental friendliness, toughness, durability, masculinity and sustainability.
  • Purple logos invoked femininity, glamor and charm.
  • Pink logos gave the perception of youth, imagination and fashion.
  • Yellow logos invoked perceptions of fun and modernity.
  • Red logos brought feelings of expertise and self-assurance.

Other recent studies from the University of British Columbia in 2009 and Dartmouth College in 2011 make these observations:

  • People have emotional responses to color, and linking color responses to our brain’s neural processes. The brain is most triggered by red, then green, then blue.
  • Red can make people’s work more accurate. Blue can make people more creative.
  • People tested with red, blue or neutral backgrounds on computer screens found red to be more effective for recall and attention to detail. Blue was better for creating imagination.
  • If you seek “avoidance” action (for example, toothpaste for cavity prevention), studies show red to have greater appeal. Conversely, if you seek “positive” action (for example, “tooth whitening”) then blue holds more appeal.
  • Across cultures, red represents “no.” It’s a common emotional association that is innate. A study involving monkeys (who don’t process the meaning of a red stop sign) found that the animals avoided humans who wore red.
  • Red is also credited with helping people focus.
  • Red is a color of stimulation.
  • Blue is more relaxing and calming.

Remember, though, when considering colors: You must consider context. The visual impact of words or images in isolated environments can be different than when you are trying to connect a user to a brand, website or direct mail package.

Bottom line: As you prepare your next direct mail package, print ad, website, landing pages or video background, consider your environment and desired reaction from your prospective customers. Use colors that can stimulate, then calm, your prospective customer’s minds.

Surviving Email Errors: It’s About the Perception

Let me start this article with an admission: I hate typos. Further: I make typos. Yet, in this day of electronic, casual-communication devices used for texting and chatting, the boundary between business and personal communications has been blurred. As this casual style edges into our business correspondence, and marketing messaging, we run the risk of causing harm to both our and our brand’s image.

Let me start this article with an admission: I hate typos. Further: I make typos. Unfortunately, I also subscribe to the premise that to be considered a professional, you must sound like a professional. Yet, in this day of electronic, casual-communication devices used for texting and chatting, the boundary between business and personal communications has been blurred, and I believe we have become less sensitive to typographical errors and more receptive to text shorthand, even when the type of correspondence calls for something far more formal. As this casual style edges into our business correspondence, and marketing messaging, we run the risk of causing harm to both our and our brand’s image.

Despite my abhorrence for the misspelled word and my dependence upon editors to ensure I toe the line, my writing is seldom (perhaps never) perfect, and I suffer great angst on the occasions when I find a string of badly ordered letters hidden in plain sight within my writings.

Undaunted, my quest for the perfect content continues, and with good reason: The Web Credibility Project conducted by the Stanford University Persuasive Technology Lab found that typos are one of the top factors for which a website’s credibility is reduced. If this is true of websites, surely the same can be said about other content we marketers produce, including emails.

According to a University of Michigan and University of Maryland study on grammatical evaluation and social evaluation (opens as a pdf), in general, homophonous grammatical errors (e.g., your/you’re) affected judgment and readability more severely than typographical errors (e.g., teh) or hypercorrections (e.g., invited John and I), but all typos have shown to have a negative impact on how you and your organization is perceived, and how receptive your recipients will be to a message with a typographical error. Typos imply carelessness and irresponsibility, especially when you are creating content on behalf of your clients.

When You Err
Many marketers believe that when a typo makes it through, they should immediately issue a correction or apology, but this is not always the best response. You need to keep the gravity of the error in perspective and resist the urge to panic. Take an objective look at the error and evaluate how egregious the error. If the error is statistical data or other numbers, it’s likely more important to address it than if the error is a typographical error such as teh. Likewise, if the error occurs in your subject line, this alone can adversely affect your open rate, so sending out a second email with a new subject line may be appropriate. On the other hand, sending a second email might well be more than your recipients will tolerate, and the correction email could be marked as spam or elicit an unsubscribe simply because it came so closely on the heels of the first. A balance must be reached.

If you find that you’ve made a mistake in your email, take a deep breath and:

  1. Assess the damage. Evaluate the impact of the mistake. Ask yourself questions such as: How many emails were sent? How does the open and click-thru rate compare with other emails of the same type? Was the typo offensive? Will the typo cause a negative perception of our brand? Will the typo cause your customer harm or lead to misinformation? If the typo is a pricing error or incorrect date, it may have a far-reaching impact on your company, in which case a correction is mandatory.
  2. Choose an appropriate response. Once your assessment is complete, work with your colleagues and management to draft an appropriate response, one in step with the gravity of the error. If you do decide that sending a second email is called for, follow these tips:
    • Act quickly. In many cases, a speedy follow up will be seen before the original email.
    • Be upfront. Write a subject line and preheader text that gets directly to the point: You are making a correction.
    • Apologize, without excuses. Take ownership of the error, be frank, and say you’re sorry. Don’t belabor the point with excuses that may well come off insincere or seem as though you want to blame everyone but yourself. Use words such as “correction,” “oops,” or “we apologize,” so your recipients immediately know why they are receiving a second email so soon.
    • Improve the offer. If the typo is concerning an offer on which you cannot deliver, offer them something better.
    • Mind your brand. Be brand consistent, but self-deprecation or humor can be a good approach.
    • Reach out socially. Use your social networks to further acknowledge the error (especially effective with humor) and offer ways your constituents can reach you with questions or support needs.
    • Vet programmatic solutions. In some cases, and depending upon which email automation solution you use, hyperlink errors can be fixed programmatically. While you cannot change the text of the email once sent, be sure to speak with the support team to glean options for fixing the underlying link. If the typo is in the form of an incorrect image, you may well be able to swap the image so that any unopened emails will display the correct image. If the email has been opened but is later opened again, the new image should appear there as well. In this case, a correction will only need to be sent to those recipients who opened the email before you corrected the error.
  3. Monitor analytics. Once assessed and addressed, your email software should be able to provide you with ample analytics about how things went. Keep a close eye on the open, click-through, and unsubscribe rates—these are the best places to discern the level of damage done.

We all make mistakes in our content, but it’s important that we learn from them and learn to avoid them. Here is a collection of tips that may help you avoid the need for an apology altogether:

  • Write your email content in Word and use autocorrect, spell check and grammar check. It won’t be perfect, so don’t depend on it solely, but it can highlight possible areas that need a closer look.
  • Printed emails are usually easier to proofread and pass around for others to review.
  • Read the text aloud, preferably to an audience.
  • Have a child read the text aloud to you. Children are more likely to read exactly what they see since they are typically unfamiliar with the content.
  • Read the text backward, from end to beginning.
  • Send draft emails to a select group on whom you can rely to read the content carefully and thoroughly.
  • Reread and proofread each time you make changes. Many typos are injected after content has passed through proofreading and while you are making on-the-fly and last-minute changes. Resend your draft email to your test group after all last-minute changes have been completed.

It’s one thing to make the occasional error, but quite another to consistently send emails with errors. Each error will erode your customers’ confidence and thus, damage your reputation and this can be a lasting impression. When asked of their perception of companies who send emails with errors, people use words such as “careless,” “rushed,” “inattentive to detail,” “incompetent,” “uneducated,” and “stupid.”

Your email typos might find their way to the inbox of a charitable person who is willing to overlook your error, or to someone simply too busy to notice, but odds are a customer, colleague or [gasp] your boss will notice and will assume that you are careless or uncaring—neither of which is ideal for your continued employment.

If you are sending SMS messages or posting to your social media, you’ll find that these mediums offer a bit more forgiveness, and what might seem like an apology-worthy error in email is a simple snafu socially or in text messaging. Though the formats are forgiving, there is still a call for professionalism, so resist with all your might the urge to use text shorthand in any type of business message, regardless of the vehicle.

Your content sets the recipients’ expectation, establishes you as an authority, and validates your knowledge of the industry. Typos can change this perception in a heartbeat, especially when repeated. Take the time to ensure your content is error-free and you will continue to foster a positive relationship with your recipients—and look brilliant in the process.

As a matter of record, my worst typo was a caption for the photo of a three-star general’s wife, where I noted that she was a “lonely lady rather than the “lovely lady” the client described. What’s yours?